The Infinite Landscape is an ongoing collection that reinterprets traditional Chinese landscape painting through an abstract, contemporary lens. This body of work represents an experimental step forward in my studio practice, leveraging the fluid and unpredictable nature of encaustic as a bridge to other mediums. By blending the flexibility of wax with ink on rice paper and oil, these pieces distill the vastness of traditional shanshui into tactile, layered spaces where medium and landscape are both in a state of constant, infinite evolution.